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Uno could probably make you deader...
Blake, I bet you're about to find out another part of what OG fans of real Star Trek have felt all along. You've had your 15 years in the desert with nothing; now it's time for a poor imitation/non-revival to let you down - pray that I'm wrong.
On Jan. 23, CBS All Access will debut “Star Trek: Picard,” a series in which Stewart reprises the thoughtful, cultured, bald starship captain he played for seven seasons on “Star Trek: The Next Generation” and in a string of four feature films that ended in 2002. The new show is different from its predecessor in nearly every respect — texture, tone, format, production value, even the likelihood of characters dropping an f-bomb. That’s all by design. Stewart’s design.“He is uninterested in repeating himself,” says Alex Kurtzman, the show’s creator and executive producer, and the mastermind behind CBS’ effort to not just revive “Star Trek” but also transform it into a vast narrative universe in the Marvel mold. “Everything he does is filled with innate integrity. He fights for the things he believes in. And he’s very willing to collaborate once you’re on the same wavelength.” Lo-fi and a little quaint by today’s standards, “The Next Generation” was the most successful of any “Star Trek” television series. (The original, starring William Shatner and Leonard Nimoy, was poorly rated and canceled by NBC after three seasons.) The show raked in Emmy nominations, minted money for Paramount Television and grew a massive following attracted to the unlikely figure of Stewart’s Picard — a Frenchman (with a posh English accent) who sips tea, reads the classics and prizes duty and honor and friendship. “The Next Generation” presented a humanist future in which issues like poverty, race and class have long been sorted out, and conflicts are more often resolved through negotiation and problem-solving than at the point of a phaser pistol.Stewart had no desire to go there again.“I think what we’re trying to say is important,” he says. “The world of ‘Next Generation’ doesn’t exist anymore. It’s different. Nothing is really safe. Nothing is really secure.”
“In a way, the world of ‘Next Generation’ had been too perfect and too protected,” he says. “It was the Enterprise. It was a safe world of respect and communication and care and, sometimes, fun.” In “Picard,” the Federation — a union of planets bonded by shared democratic values — has taken an isolationist turn. The new show, Stewart says, “was me responding to the world of Brexit and [Sleezebag] and feeling, ‘Why hasn’t the Federation changed? Why hasn’t Starfleet changed?’ Maybe they’re not as reliable and trustworthy as we all thought.”