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Author
of FASHION
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During her convalescence Anna Cora began work on a
five act comedy called Fashion; or, Life in New York.
She did so at the recommendation of Epes Sargent, who suggested that
the comedy would be "a fresh channel for the sarcastic ebullitions with
which you so constantly indulge us." The play was a keen but
good-natured satire on American parvenuism. She presented the New York
social scene all its pretense and gullibility, its tendency to ape
Parisian customs, and its exaltation of money. |
Mrs. Tiffany, the wife
of a newly rich business man, has high social ambitions for herself and
her daughter Seraphina. Her extravagance is ruining her husband, who is
caught in financial misconduct by his clerk Snobson, who proceeds to
blackmail him. Count Jolimaitre, who turns out to be actually a valet
posing as a nobleman, is also after the Tiffanys' money. The plot grows
progressively thicker as the story unfolds. The source of Fashion's
comedy is its satirizing of social pretensions as in the following
scene between Mrs. Tiffany and her French maid, Millinette:
Mrs.
Tiff.: Is everything in order, Millinette? Ah! very elegant, very
elegant, indeed! There is a jenny-says quoi look about this furniture
-- an air of fashion and gentility perfectly bewitching. Is there not,
Millinette?
Mil.:
Oh, oui, Madame!
Mrs.
Tif.: But where is Seraphina? It is twelve o'clock; our visitors will
be pouring in, and she has not made her appearance. But I hear that
nothing is more fashionable than to keep people waiting. None but
vulgar persons pay any attention to punctuality. Is it not so,
Millinette?
Mil.:
Quite comme il faut. Great personnes always do make little personnes
wait, Madame.
Mrs.
Tif.: This mode of receiving visitors only upon one specified day of
the week is a most convenient custom! It saves the trouble of keeping
the house continually in order and of being always dressed. I flatter
myself that I was the first to introduce it amongst the New York
ee-light. You are quite sure that it is strictly a Parisian mode,
Millinette?
Mil.:
Oh, oui, Madame; entirely mode de Paris.
Mrs.
Tif.: This girl is worth her weight in gold. (Aside.) Millinette, how
do you say arm-chair in French?
Mil.:
Fauteuil, Madame.
Mrs.
Tif.: Fo-tool! That has a foreign, an out-the-wayish sound that is
perfectly charming -- and so genteel! There is something about our
American words that is decidedly vulgar. Fowtool! how refined.
Fow-tool! Arm-chair! what a difference!
Mil.: Madame have une
charmante pronunciation. Fowtool (mimicking aside) charmante, Madame!
Mrs. Tif.: Do you
think so, Millinette? Well, I believe I have. But a woman of refinement
and of fashion can always accommodate herself to anything foreign! And
a week's study of that invaluable work -- "French without a Master,"
has made me quite at home with the court language of Europe! But where
is the new valet? I'm rather sorry that he is black, but to obtain a
white American domestic is almost impossible; and they call this a free
country!
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Fashion opened at the Park
Theatre, New York, on March 24, 1845. It was a great popular success that was generally well-received by the critics. Edgar Allan Poe, writing for the Broadway Journal, felt the play derivative of School for Scandal, but notable for the unique manner it satirized the fashionable foibles of the United State's emerging urban upper class.
Poe's Evolving Views on “Fashion” Next
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